Saturday, May 24, 2014

Destination . . . Chorale Bel Canto

            By Linda de Vries

Love Classical Choral Music? Think Chorale Bel Canto.

Seldom or never listen to Classical Choral Music? Think again.

On June 8, think the City of Downey.

Think Downey is too far to drive for just a concert? Think again.

“Destination . . . Chorale Bel Canto” posts several times in advance of each of our concerts, offering ideas for a different day trip to the city in which we’re singing, with a Chorale Bel Canto concert at the center of your experience. These trips appeal to a wide variety of interests and share fascinating, sometimes intricate, connections between the city and the music.

On June 8, 2014, Chorale Bel Canto is in Downey presenting America Sings! This concert is a collaboration with the Claremont Chorale under the direction of Gregory Norton, and features the music of Aaron Copland, Randall Thompson, and a concert version of Gershwin’s Porgy and Bess with 130 singers, guest soloists, and a full orchestra.

Devote your entire day to the music of America!

Morning. Begin your day at the Moravian Church of Downey, located at 10337 Old River School Road (562-927-0718). June 8th is the 60th anniversary of their founding, and you will experience a special worship service featuring the Trombone Choir of Downey (see more below) at 10:30 a.m., followed by a bounce house, games on the lawn, and a taco truck if you want to stay for lunch.

The Moravian Church is the world’s oldest protestant denomination. Its history begins in Bohemia and moves to next-door Moravia, two historical central European countries that are today two states of the Czech Republic. As you will see below, the Moravians have always seen music as a necessity of life.

Jan Hus (1369-1415), a Czech priest and professor of philosophy at Charles University in Prague (Bohemia) is considered, after the English theorist of Reformation John Wycliffe, the first reformer of the Roman Catholic Church, as he lived before Luther, Calvin, and Zwingli. After a long trial at the Council of Constance, he was burned at the stake as a heretic in 1415.

After his death his followers at the University of Prague rebelled against their Roman Catholic rulers and defeated five papal crusades in the Hussite wars, which concluded in the Compactata of Basle on November 30, 1433. By 1431 90% of inhabitants of Czech territory were non-Catholic. The Hussites split, however, in a feud that ended at the Battle of Lippau on May 20, 1434. The remnant, too small to play a significant role in Church politics, formed itself into the Unitas Fratrum, Unity of Brethren.

The Unitas Fratrum, or Moravian Church, following the principles of Hus, was founded at Kunwald, Bohemia in 1457 by Gregory the Patriarch, who gained permission from Governor George von Podiebrad to organize the community.

Nevertheless, the Catholic Church continued its persecution, denouncing the group as heretical and treasonable and imprisoning many Brethren in 1468. Fortunately, King Ladislaus II tolerated the brotherhood and it grew rapidly under the leadership of Lucas of Prague, who became leader in 1473 after Gregory’s death. By 1501 they had printed the first Protestant hymnbook. After the death of Lucas in 1528, leadership passed to John Augusta, who opened negotiations with Luther, but Luther decreed in 1542 that the Germans and Bohemians should go their separate ways. By the end of the 15th century the sect had spread into Moravia and founded 400 communities throughout the Czech lands.

The Thirty Years War (1618-1648), initially a religious battle between Protestant and Catholic states, morphed into a power contest between the French Bourbon and Austrian Hapsburg rulers. Devastating central Europe, the war brought further persecution to the Brethren's Church, and the Protestants of Bohemia were severely defeated at the Battle of the White Mountain in 1620. Offered Catholicism or exile, most fled.

The leader of the Unitas Fratrum at this time was Bishop John Amos Comenius (1592-1670), who lived out his life in England and Holland but continued to pray that the "hidden seed" of the Brethren might someday enjoy new life.

In the 1720s a small group of Moravian exiles found refuge on the Saxon estate of the Pietist, Count Nicholaus Ludwig von Zinzendorf. The village of Herrnhut was founded on the slopes of the Hutberg on August 13, 1727. This became the Renewed Brotherhood, founded under the name of Moravian Brethren. Other sects found religious freedom there as well, but when dissension erupted, Zinzendorf took control.

Orthodox Lutherans became the Brethren’s bitter enemies, and the King of Saxony ultimately banished Zinzendorf, whereupon he founded congregations in Holland, England, Ireland, and America. He sent out the first missionaries to the Danish West Indies in 1732 and 1733.

In 1734 Governor General Oglethorpe granted the Renewed Brethren under Bishop David Nitschmann 500 acres in Georgia, recently carved out of the Carolina Grant. Owing to the climate, wars, and conflict within, the small Savannah colony failed to prosper, but the Brethren moved on to Pennsylvania in 1741, settling on the estate of George Whitefield, where they established the communities of Bethlehem and Nazareth.

The Moravian Church expanded into New Jersey, Maryland, and New York. Bishop Augustus Spangenberg established a colony in Wachovia, North Carolina, a colony named Bethania but now known as Winston-Salem.

The northern and southern colonies continued to expand their territories. After World War II, the Moravian Church expanded into southern California, where they had maintained an Indian mission since 1890. This coincided with the post-war expansion of the aero-space industry in southern California, leading to the founding of the Moravian Church of Downey in 1954.

Music. A major element of Moravian worship is music, both vocal and instrumental. Since the Moravians have a penchant for careful documentation, the records of their musical history are well-maintained in two archives, the Moravian Music Foundation headquarters in Winston-Salem, NC, and the Moravian Archives in Bethlehem, PA. Both archives house extensive, important collections and provide numerous resources for scholars.

Count Zinzendorf saw life as “liturgical,” with every aspect a worship to be offered to God. Thus, secular matters of business and farming were given a religious connotation, which led to particularly Moravian varieties of worship.

The Losungen, or Daily Texts, were introduced in 1728 as daily devotional guides. These included not only texts from Scripture, but hymn stanzas. Zinzendorf had encouraged hymn singing from the early days of Herrnhut, producing a large hymnal in 1735. The hymn book of Christian Gregor appeared in 1778, and in 1784 his Choralbuch provided tunes for these hymns. Both were used in German-speaking congregations for a century.

Gregor created a unique tune-numbering system still in use today. All tunes of the same meter share a number (“tune 22s,” for example) and are distinguished from one another by a letter. The tunes and texts are, therefore, interchangeable.

Similarly Gregor composed his hymns by taking familiar stanzas from different hymns and merging them together into one hymn, sometimes intermixing new stanzas of his own. This is a mark of the most characteristic Moravian service, the Singstunde, or “song service,” in which the pastor carefully chooses individual stanzas from various hymns in a way that develops a particular Christian truth or theme as the singing progresses. The sermon is presented through the texts of the hymns. The organist has to memorize and be able to transpose over 400 hymns into whatever key the pastor begins singing.

The style of these songs resembles Handel more than Bach, in that the voice parts tend to move together so that the text may be clearly understood. They often use extensive instrumental introductions and interludes, but these, too, support rather than distract from the text.

Another important category of Moravian music is the trombone choir. From the time of Herrnhut, Moravians have used brass ensembles and bands to announce special events and to accompany singing at outdoor services and funerals. Beginning in 1754, these trombone choirs were imported from German to American Moravian churches, a set of instruments supplied to each new congregation. These trombone choirs have active parts for all four voices, reflecting the congregation singing in parts.

The Moravian Trombone Choir of Downey was founded by Jeff Reynolds in 1965 and is one of the most active of all trombone choirs in the world. The repertoire is primarily chorales, sonatas, and occasional music, mostly from the Renaissance and Baroque periods.

Moravians also play secular instrumental music, some by Moravian composers, but most by well-known European composers of the late 18th century onward, composers such as Haydn, Mozart, Beethoven, and the Bach family. Many of the works in the American Moravian collections are the only known surviving copies of music from these composers.

Haydn’s “The Creation” was performed for the first time in the United States in the Sanctuary of Central Moravian Church in 1811. The first complete performance of Bach's Mass in B Minor was presented at Central Moravian Church in 1900, making it a National Landmark of Music.

Moravian composers include David Moritz Michael (“Water Journey,” a woodwind sextet), John Antes (three string trios, the earliest known chamber music written by a composer born in America), Johann Friedrich Peter (six string quintets plus 100 vocal works).

Moravian music has a special place in American history. On Whit Monday for many years in the 19th century, a large flat-bottomed boat sailed down the Lehigh River, carrying two clarinets, two French horns, and two bassoons who serenaded listeners on the banks with Michael’s “Water Music.” In 1783 the Moravians in Salem held the first celebration of July 4th in the country, featuring Johann Friedrich Peter’s assemblage titled “Psalm of Joy.”

Lunch. You have a multitude of choices today in Downey! You may wish to remain at the church and munch from the taco truck. Or, you can hop over to the Greek Food Festival at St. George Greek Orthodox Church at 10830 Downey Avenue (562-862-6461). Or, you might enjoy the 1953 “Speedee” McDonald’s restaurant at 10207 Lakewood Boulevard (at Florence Avenue), which was the third McDonald’s built and is the oldest surviving building of the chain. (See a full description of this restaurant in the earlier Tongva post on this blog.). Or, you can check out yet another 20th century holdover, Bob’s Big Boy Broiler, located at 7447 Firestone Boulevard, 562-928-2627, originally Johnie's Broiler, a drive-in restaurant and coffee shop built in 1958 in the Googie style of architecture. (See a full description of this restaurant in the earlier Tongva post on this blog.)

Afternoon. The Greek Festival may still attract you, but you can also continue with the theme of American Music. Downey was home to many noted popular musicians. Alas, however, most of this activity is gone, but you can check out the historic spots on a driving tour around town.

Downey Records. Yes, Downey had its own record label! Located at 13117 Lakewood Boulevard, the building is now a dollar store.

Bill Wenzel brought his wife and two sons to Downey from Grand Rapids, Michigan, part of the post-war trek to southern California. Bill first worked in the music division of MGM and later ran his own spot welding shop. A week before Christmas in 1958 he and his eldest son Jack opened Wenzel’s Music Town at 13117 Lakewood Boulevard. The store sold hi-fi equipment, but specialized in stereo sets and auto stereo for growing in-car entertainment industry that was growing as a result of California’s cruising and drive-in restaurant scene.

Early in 1959, responding to demand, the father and son built a recording studio in one half of the store. They also established a record label, Jack Bee, a combination of their names.

Younger son Tom met his future wife, Maxine, at Bell High School, and they were married at age 17. In 1962 Bill and Jack started the Downey record label and brought in Maxine to run the store. Tom joined the staff in 1964. They created a subsidiary record label, Carmax, named for Maxine and Bill’s wife, Carmelita. Bill was the engineer and Jack handled the promotional side.

Success first came with the Downey label and the group Pastel Six, then with “Boss” by the Rumblers in 1963, followed by their biggest hit, “Pipeline” by The Chantays.

After these hits, the recording business began to wane, but father and son continued to record young Downey rock musicians such as Barry White and Little Johnny Taylor. In the late 60s, however, Jack was diagnosed with Leukemia and the recording business ceased around 1968. Jack died in 1971.

Wenzel’s Music Town continued to sell records, and tried to get new hits in as fast as the big Hollywood stores. By 1972, though, Tom and Maxine were running the store, and the bulk of their business was “oldies.” When the radio station KRTH (K-earth 101!) signed on the air they bought their play list from Wenzel’s. Until their retirement in 2002 Tom and Maxine ran “Wenzel’s Music Town, Home of Oldies But Goodies.”

In the 80s and 90s some of the old Downey Studios tracks were reissued on by various labels. A CD compilation of Downey Studio material was issued as “Downey Blues,” now available as “On Lakewood Boulevard.” The early Rumblers and Chantays material had previously been sold to Dot Records. Eventually, Ace Records acquired the rights to the remainder of the Downey catalogue.

Fun connection: In 1965 a group named The Bel Cantos recorded “Feel Aw Right” at Downey Recording Studios. You can hear it on YouTube. No connection to Chorale Bel Canto, but a nice serendipity.

Continuing your driving tour, your can view the former homes of The Carpenters. The family of Karen and Richard Carpenter, who became famous as a singing duo, moved to Downey from Connecticut in 1963. Their first lodging was in an apartment complex at 12020 Downey Avenue, first #22 and then #23. Karen and Richard bought a house for the family with their earnings, a house at 9828 Newville Avenue, pictured on their album, Now and Then. Then in 1973 Richard bought a house for his family at 8341 Lubec Street. Lastly, Richard and his family lived in a house at 9386 Raviller Drive.

Paul A. Bigsby, the father of the modern electric solid-body guitar (1948) and creator of the Bigsby vibrato built his guitars at 8114 Phlox Street.

Numerous other musicians come from Downey:
  • Weird Al Yankovic, musician and satirist, was born in Downey and raised in nearby Lynwood
  • Eddie Cochran, the rockabilly musician, lived in Downey
  • Donovan Frankenreiter was born in Downey, as were James Hetfield and Ron McGovney of Metallica, Joey Latiner of Radio Free World, and Allison Iraheta, American Idol season eight contestant
  • Dave Alvin and his brother Phil founded the Downey-based rockailly band The Blasters and recorded on the Downey label, as did the Chantays and Barry White
  • Mary Ford moved to Downey to live with her brothers and sisters following her divorce from Les Paul
I'll leave you to research additional sites, but you might want to conclude your driving tour with a swing by the two high schools many of these stars attended: Downey High at 11040 Brookshire Avenue and Warren High at 8141 De Palma Street.

4:00. Head to the Downey Civic Theatre at 8435 Firestone Blvd. and listen to Chorale Bel Canto in America Sings! This concert of 20th century American music is a fitting climax to your day focused on Downey and American Music!

Dinner. If you didn’t lunch there, you might want to return to the Greek Festival, which is open until 11:00 p.m. Or, for traditional 20th century American dining, try nearby Pico Rivera, either Dal Rae Restaurant at 9023 Washington Boulevard (562-949-2444) or Clearman’s Steak ‘n’ Stein at 9545 Whittier Boulevard (562-699-4716).

Thursday, May 22, 2014

Conductor's Notes


On June 7th and 8th, the Claremont Chorale and Chorale Bel Canto combine singers to present the final concert of this season, America Sings! Today, the conductors describe the second half of the concert. Scroll to the right to see the sidebar to details about the two performances of this concert. We look forward to seeing you there!

America Sings!
              By Gregory Norton and Stephen Gothold

The second half of the program is given over to music from Porgy and Bess, an “American folk opera” by George Gershwin (1898-1937), based on a novel by DuBose Heyward (1885-1940). It opened in 1935, two years before Gershwin's death at age 38. In its time it was both lauded and criticized for its then-groundbreaking treatment of African-American life. As is true with so much of Gershwin's music, Porgy and Bess lives in a musical space between popular song and the concert hall. Some of its tunes have become as much a part of the American Songbook as any of the composer's efforts for Tin Pan Alley.

The story is set in 1930s South Carolina and focuses on life in a fictitious sea-side slum, Catfish Row. Central to the story is the dubious romance of Porgy, a cripple, and Bess, a woman with a past, and a slate of very colorful characters and situations.
           
The story first reached the stage as a play in 1927, adapted by DuBose Heyward and his wife. Spirituals were inserted into the play, which ran for over a year. George Gershwin read the novel, and felt there was the potential for a “folk opera.” Among those showing interest in expanding the music of the play was Al Jolson, but nothing came of it. Then in the fall of 1933, Gershwin and Heyward signed a contract to write the opera. The two collaborators went to Folly Beach, South Carolina, to get a feel for the reality of life in the black south.

While originally intending to incorporate spirituals and work songs into the opera, Gershwin ultimately decided to write original music based on rhythmic and structural models of traditional music. The result was a four-hour opera about African-Americans, based on a novel by a white southern gentleman, set to music by an American Jew. Dubose Heyward and George’s brother Ira both contributed lyrics to the score.
           
The show opened on Broadway in 1935, by then trimmed to a little over three hours, and ran for 135 performances. A tour to Philadelphia, Pittsburgh, Chicago and Washington D.C. followed. It was during the performances in Washington that the cast, led by the original Porgy, Todd Duncan, protested the segregation of the audience in the National Theatre. Management finally gave in, and that venue saw its first-ever integrated audience.
          
Many revivals and adaptions were mounted over the next forty years, none apparently able to improve upon the original. There was even a production in Denmark, where the all-white cast performed the piece in blackface. Finally, in 1976, Houston Grand Opera mounted its version of Gershwin’s original score (before the Broadway cuts). The production was a great success, and has been produced around the world ever since.
          
It is noteworthy that in 1959 an adaption of Porgy and Bess was made into a feature film, starring Sidney Poitier as Porgy and Dorothy Dandridge as Bess (neither actually sang their roles). The story was abridged and the score was re-orchestrated. The Gershwin estate was so disappointed with the film that it was removed from further release in 1974.
           
We are pleased to present this marvelous music in the concert version, with the stunning orchestrations by Robert Russell Bennett.



Tuesday, May 20, 2014

Conductor's Notes


On June 7th and 8th, Claremont Chorale and Chorale Bel Canto combine singers to present the final concert of this season,  America Sings! Today, the conductors describe the first half of the concert. See the sidebar for details about the two performances of this concert.

America Sings!
              By Gregory Norton and Stephen Gothold

Poet Walt Whitman famously wrote “I hear America singing… singing with open mouths their strong melodious songs.” This program seeks to celebrate that song with tunes that emanate from the land and that straddle the worlds of “high art” and the common folk.

We begin with music of Randall Thompson (1899-1984). A true “Yankee,” Thompson was born in New York City and had a successful academic career at the Curtis Institute, the University of Virginia and Harvard, his alma mater. His students included Leonard Bernstein, Samuel Adler and others. His choral music has remained popular and is noteworthy for its musical accessibility and for his excellent taste in texts. That said, his most popular work is an anthem setting of but one word, Alleluia. He wrote The Testament of Freedom in 1943 while teaching at the University of Virginia, having been commissioned by the university's Glee Club to celebrate the bicentennial of one of their most distinguished alumni, Thomas Jefferson. Although the Jefferson texts were chosen for the occasion, the piece's stirring message soon became popular to wartime America. It was widely broadcast and was performed in Carnegie Hall as part of a concert in memory of Franklin Delano Roosevelt.

Thompson's Frostiana: Seven Country Songs on poems of Robert Frost (1874-1963) was commissioned for another bicentennial – that of the town of Amherst, Massachusetts in 1959. Although born in San Francisco, Frost was long associated with Amherst. Frost and Thompson knew and admired one another, and Thompson himself selected seven poems to construct a suite of choral songs for the commemoration. They include some of the poet's most familiar and beloved lines alongside lesser-known items. All portray various shades of the American landscape by both painting musical pictures of the terrain and by disclosing what might be called the 'landscape of the heart.'

Much of the music of Aaron Copland (1900-1990) brings the American landscape to mind (Appalachian Spring, Billy the Kid, Rodeo). The first half of the program ends with a brief excerpt from The Tender Land, a two-act opera Copland wrote in the 1950s that was intended for television. The opera is set in the mid-west of the 1930s and Stomp Your Foot captures the exuberance of a country “hoe-down” in that time and place. 

Monday, May 19, 2014

Destination . . . Chorale Bel Canto

            By Linda de Vries

Love Classical Choral Music? Think Chorale Bel Canto.

Seldom or never listen to Classical Choral Music? Think again.

On June 8, think the City of Downey.

Think Whittier is too far to drive for just a concert? Think again.

“Destination . . . Chorale Bel Canto” posts several times in advance of each of our concerts, offering ideas for a different day trip to the city in which we’re singing, with a Chorale Bel Canto concert at the center of your experience. These trips appeal to a wide variety of interests and share fascinating, sometimes intricate, connections between the city and the music.

On June 8, 2014, Chorale Bel Canto is in Downey singing America Sings! This concert is a collaboration with the Claremont Chorale under the direction of Gregory Norton, and features the music of Aaron Copland, Randall Thompson, and a concert version of Gershwin’s Porgy and Bess with 130 singers, guest soloists, and a full orchestra.

For your day trip on this date, explore the Native Americans of this area before the concert.

The Tongva (also referred to as Awigna) are a Native American people who inhabited the Los Angeles Basin and the Southern Channel Islands at the time of the establishment of the Spanish missions in the 18th century. The Franciscan fathers called them Gabrieleño, Fernandeño, and Nicoleño.

The archeological evidence shows that the Tongva have been in southern California for about 8,000 years. Their remote ancestors are thought to have been either Shoshoni-speaking people who migrated southwest from Nevada or people who originated in the Sonoran Desert and moved north. The Tongva speak varieties of Takic, a Uto-Aztecan language that established itself about 2,000 years ago.

When the first Europeans arrived, the Tongva, along with the neighboring Chumash, were the most powerful indigenous people to inhabit southern California, numbering somewhere between 5,000 and 10,000. They were hunter-gatherers who lived in villages and built conical houses made of reeds, tule, and willows, called ki. They ate ducks, geese, rabbits, berries, seeds, nuts, and black honey made by burrowing bees. They built canoes, caulked with tar from the La Brea Tar Pits, canoes that could hold up to 12 people and that allowed them to trade widely.


 Juana Maria, the last survivor of her tribe and the last known speaker of Nicoleño



Mrs. James Rosemeyre (née Narcisa Higuera), photographed here in 1905, 
one of the last fluent Tongva speakers



Tongva Dwelling

The first Europeans arrived in the Los Angeles area in 1542, when the Portuguese explorer Juan Cabrillo entered San Pedro Bay, but it was not until the Mission San Gabriel Arcángel was founded on September 8, 1771 that assimilation of the native population really began. The Tongva were quickly Christianized, although they did at times resist Spanish rule, such as in the 1785 rebellion led by the female chief Toypurina.

They were, however, forced to assimilate when, in 1821, Mexico gained its independence from Spain and mission land became ranchos. Then when California became a state, treaties were signed with the United States government granting over eight million acres to the Tongva, but the treaties were never ratified. By 1900 their language was almost extinct, so that only partial records of Tongva culture survive and only a reconstructed language is spoken.

Since 2006, four groups have claimed to represent the Tongva Nation, the split being the result of the question of establishing a gambling casino: the Gabrielino-Tongva Tribe (the “hyphen group”), the Gabrielino/Tongva Tribe (the “slash group”), the Gabrieleño/Tongva Tribal Council, and the Gabrieleño Band of Mission Indians. The latter group disavows the name Tongva and refers to themselves as Kizh, a name that goes back to 1846, when the term was used to designate the language and their word for “house.”

There are several sites in southern California that the Tongva consider sacred ground:

  • The Kuruvungna Springs on the site of a former village, now the campus of University High School in West Los Angeles
  •  Puyungna, believed to be the birthplace of the Tongva prophet Chingishnish and the place of creation, the site of a former village that contains an active spring, now the grounds of California State University, Long Beach, a portion of which is on the National Register of Historic Places
  • Sheldon Reservoir in Pasadena
  • Los Encinos State Historical Park in Encino
·        The Tongva heritage is seen in place names such as Pacoima, Tujunga, Topanga, Rancho Cucamonga, Azusa, and Cahuenga, and in Tongva Peak in the Verdugo Mountains in Glendale and the Gabrielino Trail in the Angeles National Forest.

Loyola Marymount University has an extensive collection of archival materials related to the Tongva, as well as a garden museum dedicated to their history. Today, though, you can get to know more about the Tongva on your way to the concert in Downey.

Morning. Begin your day at Heritage Park in nearby Santa Fe Springs, located at 12100 Mora Drive, 562-946-6476. The Park is open Monday through Friday 9:00 a.m. to 5:00 p.m. and Saturday and Sunday 9:00 a.m. to 8:00 p.m. It is closed on major holidays.

The Tongva settlements nearest Downey appear to have been just north and northeast of today’s City, although it is difficult to locate them precisely. Present-day Los Nietos seems to have been the location of the Naxaaw’nga and Sehat villages, while the Chokiishuga and Huutnga villages may have been in the area north of Downey between the San Gabriel River and the Rio Hondo.

Here in Heritage Park you can experience what life might have been like in those villages in an exhibit sheltered among the trees on the Park’s west side. Wandering the path next to the stream in the Tongva Exhibit will take you back in time.

There are many other features to delight you in Heritage Park. You are greeted at the entrance by a Railroad Exhibit featuring “No. 870,” a vintage Acheson, Topeka and Santa Fe steam locomotive, complete with a refrigerated boxcar and caboose. The Railroad Exhibit, open daily from 12:00-4:00 p.m., reminds visitors that Santa Fe Springs developed because of two railroad lines. The town of Fulton Wells was so thrilled to have a railroad built through in the 1870s that it changed its name to Santa Fe Springs! The exhibit also includes two meeting rooms, a picnic area, and a rose garden.

Heritage Park also features a Carriage Barn, once used to house horses and carriages. It is open Tuesday through Thursday and Sunday 12:00-4:00 p.m. Built in 1880 by a gent from Missouri named Eli Hawkins, the Barn was reconstructed in 1987 based on an old photograph. Titled “When the Air was Pure and Money Grew on Trees,” the exhibit shows how life was lived shortly before and after the turn of the 20th century. It is divided into sections that illustrate transportation (Horse and Buggy Days), education (Little Lake School Days), farming (A Living from the Land), homemaking (Keeping a Home), and recreation and technology (Inventing a Better Life). It also includes the Santa Fe Springs Mercantile, a four-passenger surrey, a timeline, and an interactive display for your little ones.

You can also see a restored Tankhouse and Windmill that once provided power to the property. It was constructed in Carpenter Gothic style to match the Carriage Barn. It has a marvelous view from the top.

Next to the Carriage Barn are the ruins of the Mexican Adobe built by Patricio Ontiveros, where you can see the home’s foundation and trash pit. This rancho was the original property on which Heritage Park now stands.

The Park also contains Hawkins’ Plant Conservatory and a Bird Aviary added around 1916 by the estate’s last private owner, Margaret Slusher.

Lunch. Heritage Park has a café, but it is open only Monday through Friday, 10:00 a.m. to 3:00 p.m., so you might want to make your way to one of the mid-century retro eateries in Downey as you head toward the concert of 20th century music.

The 1953 “Speedee” McDonald’s restaurant that stands at 10207 Lakewood Blvd. (at Florence Ave.) was the third McDonald’s built and is the oldest surviving building of the chain. It was the second restaurant franchised by Richard and Maurice McDonald prior to Ray Kroc joining the company. It maintains its original 30-foot “golden arches” and a 60-foot animated neon “Speedee” sign.

Lacking a drive-up window and indoor seating and following severe damage in the Northridge earthquake, it was listed on the National Trust for Historic Preservation’s 1994 list of the 11 most Endangered Historic Places. Owing to the public’s demand to save the restaurant, however, McDonald’s spent two years restoring its Googie-style architecture. Today, you can visit this historic restaurant and an adjoining gift shop and museum.

Johnie's Broiler (originally Harvey's Broiler) was a drive-in restaurant and coffee shop built in 1958 in the Googie style of architecture. In 1968, renowned writer Tom Wolfe published his collection of articles titled The Pump House Gang, containing the article “The Hair Boys,” which immortalized the cruising, car, and fashion scene surrounding Harvey’s Broiler. Wolfe’s drawings of the habitués of the Broiler appear in his later book, The Purple Decades. The restaurant can also be seen in many movies and TV episodes, as well as music videos starring Bob Dylan and Madonna.

Following its 50s heyday, the Broiler fell on hard times. Closed in 2001, it became a used car lot. In 2007 the lessees began illegal demotion that the City was able to stop, but not before significant damage was done.

In April 2008, Jim Louder, owner of the Bob's Big Boy restaurant in Torrance, California, entered into a long-term lease agreement with the owner of Johnie's Broiler, rebuilding it as Bob’s Big Boy Broiler and incorporating its surviving architectural elements. It is located at
7447 Firestone Blvd., 562-928-2627.

4:00. Head to the Downey Civic Theatre at 8435 Firestone Blvd. and listen to Chorale Bel Canto in America Sings! This concert of 20th century American music is a fitting follow-up to your meal at a 50s restaurant!

Dinner. You might want to check out the food at the Downey Greek Food Festival at St. George Greek Orthodox Church at 10830 Downey Ave. (562-862-6461). Or, if you want to maintain that 20th century vibe, dine in nearby Pico Rivera at either Dal Rae Restaurant at 9023 Washington Blvd. (562-949-2444) or Clearman’s Steak ‘n’ Stein at 9545 Whittier Blvd. (562-699-4716).


Thursday, May 15, 2014

Destination . . . Chorale Bel Canto Correction

Dear Readers,

I made a blooper, for which I apologize. The Columbia Space Memorial in Downey is not open on Sundays.
Let your Downey day trip on June 8, 2014 focus on the Greek Festival prior to attending our concert of America Sings! at 4:00 p.m. at the Downey Civic Theatre!

In the future, when we sing on Saturdays (our usual day), you can visit the Space Memorial.

A new day-trip suggestion is coming soon. Stay with us!


Monday, May 12, 2014

Things are Heating Up!

Season 2013-14 has brought many changes to Chorale Bel Canto.

After 32 years we are leaving our home at Whittier College. Since our founding we have rehearsed in Arnold Hall in the Music Building on the college campus. As the Music Department has evolved and grown, however, the campus music ensembles and other music programs require the use of the space we have enjoyed on Monday nights for so long.

We have found a new rehearsal home for the coming season at Trinity Lutheran Church in Whittier, and are very excited about our new venue.

The Chorale Board of Directors has just approved a three-year Strategic Plan (2014-17) that calls for expanded outreach and educational programs, similar to our new partnership with the Whittier Public Library that debuted this March.

The move, replacement of equipment, and fulfillment of the Strategic Plan goals will require expenditures beyond our normal operating budget.

Fortunately, coincident with all these events, in April the Chorale celebrated the largest grant we have ever received, a remarkably generous $50,000 from the Pitts Family Foundation. This has enabled us to found a Legacy Society and open an investment account, pledges to the long-term future of the Chorale.

We are now engaged in a campaign to match half of the Pitts Family gift and raise an additional $25,000 by our first concert of the 2014-15 season, which will be Gilbert and Sullivan’s HMS Pinafore with a newly-refreshed Opera a la Carte at the Downey Civic Theatre in October.

We ask you to join us with a gift of whatever amount, a gift that will help us move into our new home, achieve the goals articulated in our Strategic Plan, and build our commitment to tomorrow. Your gift is an investment in your beliefs, your passion, and your hopes. It is not just something you give—it is something you entrust. We rely on the generosity of donors such as you to support the joy we create.

Just since April we have already received over $5,000 in matching funds for the Pitts Family gift. Watch our thermometer throughout the summer—to quote Irving Berlin:



“We’re havin’ a heat wave! The temperature’s risin’, it isn’t surprisin’—we certainly can. . . !”











Saturday, May 10, 2014

Destination . . . Chorale Bel Canto

            By Linda de Vries


Love Classical Choral Music? Think Chorale Bel Canto.

Seldom or never listen to Classical Choral Music? Think again.

On June 8, think the City of Downey.

I need to correct an error in this post. Chorale Bel Canto usually performs on Saturdays, but this  concert is on a Sunday. The Space Memorial is not open on Sunday, so go for the Greek Festival or another trip I'll describe and enjoy the Space Memorial when we're in Downey on a Saturday next season.

Think Downey is too far to drive for just a concert? Think again.

“Destination . . . Chorale Bel Canto” posts several times in advance of each of our concerts, offering ideas for a different day trip to the city in which we’re singing, with a Chorale Bel Canto concert at the center of your experience. These trips appeal to a wide variety of interests and share fascinating, sometimes intricate, connections between the city and the music.

On June 8, 2014, Chorale Bel Canto is in Downey singing America Sings! This concert is a collaboration with the Claremont Chorale under the direction of Gregory Norton, and features the music of Aaron Copland, Randall Thompson, and a concert version of Gershwin’s Porgy and Bess with 130 singers, guest soloists, and a full orchestra.

Since we’re singing 20th century music, think 20th century history! All you space buffs, listen up!

Morning. Begin your day at the Columbia Memorial Space Center at 12400 Columbia Way (formerly Clark Ave.), Downey (562-231-1200). The Apollo Space Program and the Space Shuttle programs began here.


Photo by Jerry Blackburn

The Background

The aviation industry began in Downey in 1929 When E.M. Smith purchased 73 acres of a castor bean farm and orange grove from James Hughan and began to manufacture aircraft.

By 1935 Downey was an “orange grove town,” primarily devoted to farming. That was, however, about to change. By 1936 Smith’s aircraft business had changed hands several times and was owned by Vultee Aircraft. In the 1940s the company was awarded the largest contract ever granted by the Army Air Corps, which led to the construction of a manufacturing plant designed by the Los Angeles architect Gordon B. Kaufman, who also worked on the Hoover Dam. By 1941 the plant produced 15% of all military aircraft produced in the United States, producing the largest number of heavy bombers in the country.

After World War II, Vultee was awarded a contract to study long-range missile weapons systems, and Downey grew into one of several towns in this area of southern California devoted to the aerospace industry, with suburban homes replacing farms. The City was incorporated in 1956.

Vultee, the city’s largest company, was successively owned by North American Aviation, North American Rockwell, Rockwell International, and Boeing. It housed Rockwell’s NASA plant, building systems for the Apollo Space Program and the Space Shuttle. At its peak in the 1970s it employed over 30,000 people, but successive cutbacks in the defense budget reduced the workforce to 5,000 by 1992.

The plant closed in 1999 and the buildings were demolished. The property then housed the Space Center, Downey Landing shopping center, Kaiser Permanente hospital, a park, and the Downey Movie Studios.

The Space Center

The Space Center, owned and operated by the City of Downey, houses a 20,000 square-foot visitor center built on the site of the former NASA/Rockwell Downey facility. Opened in October 2009, a joint resolution of the U.S. Congress designated this the official national memorial to the Space Shuttle Columbia and the crew of STS-107, lost on February 1, 2003.

The mission of the Center is to teach young people about careers in space exploration, aviation, engineering, technology, and science. It contains numerous interactive exhibits. It is open Tuesday-Saturday 10:00 a.m. to 5:00 p.m. Admission is $5 per person; children three years and under are free. Call for group admission.

The Permanent Exhibits allow you to:
·       Have your picture taken inside an Astronaut Suit
·       Operate Robotic Arms and see the mechanics in action as the arms move
·       Program a robot in the Robotics Lab and run a mission like the Mars Rover to collect rock samples
·       View the earth and the universe in the 360-degree projection system Magic Planet
·       Examine planetary orbits and experience “algebra in motion” at the Gravity Well
·       Practice how to safely land a crew from the top of the 25-foot tall Drop Tower
·       Design your very own solar system with the Solar System Designer
·       Learn the principles of flight at the Paper Airplane Station
·       Land and dock a shuttle in the Shuttle Simulator
·       Test your launch skills with the Rocket Launcher
·       View concrete Rockwell Signature Blocks signed by various astronauts

“Return to the Moon, Rendezvous with a Comet, or go on a Voyage to Mars.” If you have a group of 16 or more and can plan in advance, arrange a field trip to the Challenger Learning Center, where your group can enjoy a hands-on experience as an astronaut in the space mission simulator. An additional fee is required for this experience. Call the Space Center to schedule.

The Movie Studios

Downey Studios, located at 12214 Lakewood Boulevard on part of the old Rockwell property, featured 79 acres of indoor and outdoor production space, including the largest indoor water tank in North America and a suburban residential street backlot with five homes and 11 facades.

      

Downey Studios - Suburban Street


 Downey Studios - Backlot

In October 2012 the studio complex was demolished to be replaced by the Tierra Luna shopping center. The one building that remains is the historic Kaufman wing and the Rotunda, the administrative offices nearest Lakewood Blvd., preserved by the City and the Aerospace Legacy Foundation.

Among the score of movies filmed there are Iron Man, Iron Man 2, Indiana Jones and the Kingdom of the Crystal Skull, Terminator 3, and Pineapple Express. Many of the buildings along Florence Avenue in Downey can be seen in an early driving sequence in Pineapple Express.

Downey is also home to several famous movie personalities. Ken Ralston is a five-time Academy Award winner for Special Effects. He is a 1971 graduate of Warren High School (named after Earl Warren, former California governor and Chief Justice of the United States Supreme Court). Ralston worked 20 years for George Lucas’ Industrial Light and Magic, creating effects for Star Wars. He is best known for his work on the films of Robert Zemeckis. He was awarded Oscars for Star Wars Episode VI: Return of the Jedi, Forrest Gump, Death Becomes Her, Who Framed Roger Rabbit, and Cocoon. You can see Warren High at 8141 De Palma Street.

In addition, Aimee Teegarden, star of the NBC drama Friday Night Lights, was born in Downey in 1989, and Alanna Ubach, known for her roles in Legally Blonde and Meet the Fockers, was born there in 1975. Miranda Cosgrove, starring as the lead character in the Nickelodeon TV series Carly, attended Maude Price Elementary School in Downey, which is located at 9525 Tweedy Lane.

Lunch. You might want to nosh at the 1953 “Speedee” McDonald’s restaurant at 10207 Lakewood Blvd. (at Florence Ave.), which was the third McDonald’s built and is the oldest surviving building of the chain. It was the second restaurant franchised by Richard and Maurice McDonald prior to Ray Kroc joining the company. It maintains its original 30-foot “golden arches” and a 60-foot animated neon “Speedee” sign.

Lacking a drive-up window and indoor seating and following severe damage in the Northridge earthquake, it was listed on the National Trust for Historic Preservation’s 1994 list of the 11 most Endangered Historic Places. Owing to the public’s demand to save the restaurant, however, McDonald’s spent two years restoring its Googie-style architecture. Today, you can visit this historic restaurant and an adjoining gift shop and museum.


 You may also drive by the first Taco Bell restaurant, opened by Glen Bell in Downey on March 21, 1962 at 7112 Firestone Blvd. The building retains its original look, but is no longer a Taco Bell.


Lunch Alternative. You might want to do lunch at the Downey Greek Food Festival at St. George Greek Orthodox Church at 10830 Downey Ave. (562-862-6461).

Afternoon. Whether you lunch there or not, spend the afternoon on June 8th at the Greek Festival and enjoy fun, games, and dancing!

4:00. Head to the Downey Civic Theatre at 8435 Firestone Blvd. and listen to Chorale Bel Canto in America Sings! This concert of 20th century American music is a fitting climax to your day focused on 20th century Downey history and architecture.


 Dinner. If you didn’t lunch there, you might want to return to the Greek Festival, which is open until 11:00 p.m. Or, for traditional 20th century American dining, try nearby Pico Rivera, either Dal Rae Restaurant at 9023 Washington Blvd. (562-949-2444) or Clearman’s Steak ‘n’ Stein at 9545 Whittier Blvd. (562-699-4716).

Tuesday, May 6, 2014

America Sings at Whittier Reads!

On April 30, 2014 members of Chorale Bel Canto entertained and informed over 80 people with a program on the history of American music at the Whittier Public Library, Central Branch.

Dr. Stephen Gothold, Music Director of the Chorale Bel Canto, described with clarity and humor the many groups and traditions that create an authentic "American Music," while singers from the Chorale performed examples of several of the styles.

The Chorale program was the culminating event of the month-long Whittier Reads program, focused on the book Until Tuesday, the story of a veteran with PTSD and the dog who helped him heal. The theme of America also provided a preview of the final Chorale Bel Canto concert of the season, America Sings!, which will be performed at Garrison Theatre in Claremont on June 7th and at the Downey Civic Theatre on June 8th.

The Chorale group sang music from the Colonial period through to the 20th century, which is the focus of the coming concert, which will feature the music of Aaron Copland, Randall Thompson, and the Gershwin brothers in a song concert of Porgy and Bess. As Dr. Gothold concluded with an earlier Chorale recording of choruses from the Gershwin opera, the listeners in the Library delightedly tapped and swayed!

This was the second Chorale Library performance this season--on March 26th at the Whittwood Branch the group offered a preview of the Whittier College Bach Festival. This partnership is new this year, and both the Chorale and the Library look forward to continued collaboration--more Music in the Library!

Enjoy these pictures of the April 30th event
and
Join us for America Sings 
on June 7 in Claremont or June 8 in Downey